Fifteen years after the Hüskers' noise grail Metal Circus, most (maybeall)
variations on the Whitey Guitar Squall theme seem entirely played out.But
ambient-noisists Ousia don't play guitars; they twaddle with knobs. Andtheir
scatterbrained electronic drones weld blankets of barely audible breakbeats
to song structures that are as mutable as chance. Their debut, Why Is Thata
Four?, may be the quietest, most elusive noise candy of the year, but atthis
late date in the history of blurt, quiet, elusive noise might be the bestnoise
going.
The Twin Cities clubscape typically grows when old-guard drinking holes
such as Mayslacks or the Terminal Bar either build stages in the corneror
elevate the hipness quotient of their band bookings. The new music space
with the best environmental control, though, would be the Twilight Lounge,
the remodeled back room of the Jitters Cafe in downtown Minneapolis. The
aptly named Twilight is like a ballroom crossed with a bedroom, with plush
circular booths, glittery decoration, and a floor that serves as the stage.It's
classy and comfortable enough to doze off in while listening to blissfulsets by
the DJs and trance/rocktronica bands (Ousia,Skyeclad, and Metaphor) that
often perform there on weekends in a low-key showcase called the New
Atlantis. Cross over to Jitters' acoustic stage up front if you need achange of
pace. But get it while you can: Rumors continue to surface that the block
containing both Jitters and the Times Bar and Cafe could be slated for
demolition to make way for the new Target tower.